"The bars 57-63 from the Sonata K. 232 in E minor by D. Scarlatti as improvisation template"

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GENERAL NOTE:

 

These exercises should be practiced in different tempi and with different types of articulation (on the piano also with varied dynamics).

They should be transposed into as many keys as possible and performed regularly.

When you do this, the reflexes are trained and therefore can then be used for prima vista and improvisation in different keys. 

Furthermore the development of own variants is intended and desired as part of a creative and profound exercise routine.